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Kotak Mahindra net up 72% at Rs 257 cr
Kotak Mahindra bank today announced its first quarter results. The bank"s net profit went up by 72 per cent to Rs 257 crore in first quarter of FY10 compared to Rs 150 crore in the corresponding quarter last year on a consolidated basis.

Parasaran begins arguments in gas row
Says HC allocation order wrong, for govt is custodian of all gas in India

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Glenmark recovers partial losses
The stock recovered some of its losses to finally end at Rs 258, down over 2% from the previous close. Around 691,753 shares were traded on the BSE as compared to the two-week daily average traded volumes of 698,158 shares on the BSE.
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Voice of India

During a recent visit to Taipei, an advertising professional, on seeing Times of India’s ‘A day in the life of India’ commercial, posed a curious question to me, “how can a commercial be borne out of such a serious issue that affects your society?” In response I explained how the parody on redtapism, far from trivialising the issue of corruption or brushing it under the carpet, resonated strongly with the voice of India. This voice accepted India with all its shortcomings and subsequently dealt with them in an open, transparent manner. - Mandate 2009: Lasting lessons for national brands - Tata Sky's delectable solution - Planning ahead to win - Take two - Tata Tea launches new "Jaago Re" campaign, on corruption - Media's daughter Advertising since the mid-80s has been reflective of how India has found a voice of its own. It speaks of an India that is comfortable in its own skin. It’s an India that has learnt to take its strengths, quirks, rites and rituals and shortfalls alike, in its stride. It’s an India that has truly come of age. And it’s developed a voice that has acceptance, maturity and a sense of humour. In the recent past, be it how the ‘Jaago Re’ campaign dealt with corruption or Hindustan Times’ take on the how to take action, advertising has moved on depicting a far-removed ideal to bringing alive the truth that rings true with the pulse of the nation. Till a few decades ago, a show like NDTV Imagine’s ‘Rakhi ka Swayamvar’, would have invited the critique of cultural purists. But today we accept everything with a pinch of salt. The same is true of our regional diversities. ‘Quick Gun Murugan’ is a humorous celebration of our cultural quirks. Therefore, our dictum of ‘we are like this only’ embraces an Indian voice that is comfortable in all its multicultural, multilingual, multilayered socio-economic diversity. (The author, better known as Pops, is National Creative Director, Leo Burnett)


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